“A commanding and versatile performer who brings strength, authenticity, and depth to every role.”

Summary:
My niche is intelligent, emotionally complex women with grit – characters who lead with heart and instinct, who survive, strategise, fight, and transform.

I excel at grounded drama, genre (fantasy/sci-fi), psychological thrillers, and character-driven action.

My strengths include:
• Exceptional physical storytelling. (My expertise in dramatic combat sets me apart in the action and fantasy genres. I thrive in physically demanding roles, bringing authenticity to fight scenes and movement-heavy performances.)
• Playing transformation arcs. (My experience playing characters like Macbeth, Scrooge, and Nina – The Seagull, demonstrates my range in heightened language and emotionally complex storytelling.)
• Multi-roling, high stamina, ensemble productions
• Contemporary female-led drama
• Grounded screen naturalism
• Intensity + warmth

Other key skills:
• Stage Combat Teacher with the APC
• UK Director of Captivate Action (A company specialising in training actors in stage combat and motion capture in the UK and Australia)
• Currently teaching motion capture at Mountview
• Associate Fight Director for the RSC’s 2026 Touring production of Hamlet

Reviews:
Edinburgh Fringe – Tim Wilcox
“Amy Floyd has a formidable, almost frightening stage presence, inhabiting Macbeth with gravitas and political cunning that makes Machiavelli look like a pussy cat… The stage tension between Floyd and Adler was electric as they circled each other like a pair of prize fighters preparing to go the distance. Verbally it was superb, words being spat with a vehement intensity that raised hairs on the back of the neck. Physically, it was breathtaking, sword fighting that felt real, blood that looked it. Peerless.”